Press

Sur une musique Pop.
Hello World, the first album ever composed with AI, has been produced with Flow Machines. Check out all the press about Hello World here.
Dans le cerveau de François Pachet, Adrien Forlan, April 2018
Les 50 français les plus influents du monde, Décembre 2017
Générateur de musiques : François Pachet, directeur du Creator technology research lab, February 2018
Para especialista, inteligência artificial na música não é fim da humanidade, Amanda Nogueira, August 2017
Will Artificial Intelligence Elevate Pop Music or Pervert It? (The Answer is Yes), Aaron Carnes, Playboy, September 2017
ARTE : Spécial Retro-futur”, October 2017
Robo Pop StarsJohn Lloyd, Wall Street Journal, April 2017

Inside the Lab That’s Producing the First AI-Generated Pop AlbumLucy Jordan, Seeker, December 2016

Music As A Commodity: Songwriting With Artificial IntelligenceJordan Passman, Forbes, December 2016

From Jingles to Pop Hits, A.I. Is Music to Some EarsAlex Marshall, New York Times, December 2016

Neue Bach-Choräle aus dem Computer, Deutschlandfunk, December 2016

Algo… rythmes: quand la musique fait appel à l’intelligence artificielleJulien Bourdier, L’express, December 2016

Saurez-vous entendre la différence entre Bach et l’IA musicale DeepBach ? Corentin Durand, Numerama, December 2016

Can you tell the difference between Bach and RoboBach? James Vincent, The Verge, December 2016

DeepBach uses Deep Learning to create music in the style of Bach, Synthtopia, December 2016
Machine Composes Harmony That Sounds Like Bach, December 2016

Artificial Intelligence In Music Production: What Does It Mean For Artists?Steven Maude, DJ Tech Tools, December 2016

Deep-Learning Machine Listens to Bach, Then Writes Its Own Music in the Same StyleMIT Technology Review, December 2016

2016: The year AI got creativeRich Haridy, New Atlas, December 2016

L’intelligence artificielle se met à la musiqueBruno Faure, RFI, December 2016

Can being a jazz musician make you a better decision maker? Tim Green, Hot Topics, November 2016
IA boîtes à rythme, Elsa Ferreira, Libération, November 2016
Décryptage: la place des algorithmes et de l’IA dans la musique et l’art en général, Fabian Ropars, November 2016
Le Mag: les artistes doivent-ils avoir peur de l’Intelligence Artificielle? Virginie Jourdan, November 2016
France Culture, les nouveaux modèles économiques de la musique, Fredéric Martel, November 2016
Thomas VDB parle de Flow Machines, France Inter, October 2016
Pourquoi Sony fait appelle à l’Intelligence Artificielle pour composer la musique, Marc Zaffagni, Futura Science, October 2016
La chronique d’Antony Morel : Daddy’s Car, un titre inédit des Beatles, RMC, October 2016
Sony develops algorithm based AI music, Michaela Cabrera, Reuters, October 2016
The AI brought The Beatles and Cole Porter back to life, Stacy Liberatore, Mail Online, October 2016
Daddy’s Car: Ecoutez ce morceau pop, inspiré des Beatles, crée par une ordinateur, Matthieu Delacharlery, LCI, October 2016
Daddy’s Car, la première chanson composée par une Intelligence Artificielle, Thibault Prévost, Konbini, October 2016
Flow Machines, l’Intelligence Artificielle du laboratoire Sony, produira-t-elle les tubes pop de demain? Louise Wessbecher, Mashable, October 2016
L’intelligence artificielle va-t-elle remplacer les compositeurs de musique? Loic Farge, RTL, September 2016
Robo Rocker: how Artificial Intelligence wrote Beatles-esque song, Jesse Emspack, Live Science, September 2016
Un ordinateur compose comme les Beatles, à s’y méprendre, Inès Daif, Le Figaro, September 2016
Artificial Intelligence program tries to write a Beatles’ song: listen to “Daddy’s car”, Ted Mills, Open Culture, September 2016
Un laboratoire français partage la première chanson pop crée par une Intelligence Artificielle, Boris Manenti, L’OBS, September 2016
A computer just wrote a song and it sounds just like The Beatles, Daniel Bean, Circa, September 2016
The first pop song composed by an AI is… pretty great, Daniel Starkey, Geek, September 2016
The Beatles: une nouvelle chanson grâce aux ordinateurs! Radio Nostalgie, September 2016
Sony uses AI to compose a Beatles-inspired song, the unforgettable “Daddy’s Car”, John Mccarthy, The Drum, September 2016
L’Intelligenza Artificiale ha ricreato i Beatles, Antonino Caffo, Panorama, September 2016
Daddy’s Car is a pop song composed by Artificial Intelligence, Tyler Lee, Ubergizmo, September 2016
Escuche la nueva cancion de los Beatles creada par una inteligiencia artificial, José Manuel Nieves, ABC Ciencia,
September 2016
Una inteligiencia artificial escribe una cancion inspirada en The Beatles, Bruno Toledano, El Mundo,
September 2016
This AI-written pop song is almost certainly a dire warning for humanity, James Vincent, The Verge, September 2016
Daddy’s Car, cosi canta l’Intelligenza Artificiale, Marta Manzo, La Repubblica,
September 2016
The first song ever written by Artificial Intelligence is pretty good, actually, Olivia Goldhill, Quartz
September 2016
Listen to this AI-composed song in the style of The Beatles, Harrison Kaminsky, Digital Trends, September 2016
Daddy’s Car: l’IA che canta come i Beatles, Cristiano Ghidotti, Webnews, September 2016
It happened: “Daddy’s Car” is a song created by Artificial Intelligence, Chris Mench, Complex, September 2016
The robots are coming! We chatted about the first AI pop song with an AI bot, Larry Bartleet, NME, September 2016
Check out this Beatles-inspired song written entirely by AI, Bryan Clark, TNW, September 2016
Blasting news: AI creates a song that sounds like The Beatles, Rahul Poonja, September 2016
Laughing Squid: Daddy’s Car, a song composed by Artificial Intelligence created to sound like The Beatles
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015
The system is capable of composing music across all genres… Charlotte Freitag, Pigeons & Planes, 
François Pachet about creativity and hit song science prediction on Wired Italia, Dentro la Scienza di MikaLa Scienza di Mika – by Maria Cristina Saccuman, January 2016
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015
“How computers and digital technology affect our lives around the world”: a program by BBC Program Click. Gareth Mitchell presents, during the program, the Flow Machines Project.
Les ordinateurs compositeurs de musique, an interview avec François Pachet, September 2nd, 2014
ARTE presents François Pachet on Square Idée: Demain, devenir Wagner ou Daft Punk? October 2015

An interview with François Pachet on online media Toscana.it: Computer e Musica
, October 2015

An interview with François Pachet on Culture Jazz: François Pachet analyse le processus de création by Pierre Gros, May 2015

Nouvo, a program by RTS (Radio Télévision Suisse), features François Pachet’s research with the reportage Prédis-moi le tube! by Antoine Silacci, April 2015

Exponential Times about the ERC project Flow Machines, led by François Pachet: Artificial Creativity with Markov Constraints, January 2015

Télérama proposes an article about François Pachet (in French): A lire et à écouter : quand les machines copient les musiciens, January 2015

La Recherche (in French): Comment copier le style des musiciens, December 2014

Article about François Pachet (in French): Comment copier le style des musiciens, December 2014
Interviews François Pachet (in French): les ordinateurs compositeurs de musique, September the 2nd 2014

When Robots Write Songs.
Bach, Coltrane, McCartney: New algorithms can produce original compositions in the style of the greats. But are those works actually art? by William Hochberg, Aug 7 2014
Flow Machines: Melodien weiter denken, by Suzanne Krause, Deutschlandfunk, (in German) May 31st 2014
Flow Machines: Muza w maszynie, by Piotr Kościelniak, Rzeczpospolita, (in Polish) May 8th 2014
Flow Machines, le logiciel qui fera de vous un Bob Dylan, by Amélie Charnay, 01.net (in French) May 5th 2014
ERC Story on International Jazz Day, April 30th 2014
Wired UK, July 2013, Musical flow: software learns musical style, applies it to other compositions
New Scientists, Jan. 2009, Tests that show machines closing in on human abilities
Le Monde, 3 Dec. 2005, La chaîne hi-fi qui obéira au doigt et à l’oreille
Les Echos, 12 Oct. 2005, La chaîne hi-fi du futur
Neural, 06 June 2005, The Continuator, the machine in synch with musical styles
Les Echos, 15 Dec. 2004,
La chaîne hi-fi pourrait se passer de télécommande
Le Point, 26 Feb. 2004, Docteur en intelligence musicale
The New York Times, 28 Aug. 2003, Strike Up the Band
Le Monde 10 Feb. 2003, Sony CSL à Paris
L’Ordinateur Individuel, 1 Jun. 2002, Sony invente les sons de demain
Le Monde 16 Oct. 2002, La révolution de la musique
Le Point, 27 Feb. 1999, Musique: stéréo démultipliée
L’Ordinateur Individuel, 3 Mar. 1999, Comment la musique viendra à vous
L’Expansion, 3 Dec. 1998, Les chercheurs qui repoussent les limites de la science-fiction
Capital, Jul. 1997, Sony CSL